ART-Dok: No conditions. Results ordered -Date Deposited. 2024-03-19T11:16:57ZEPrintshttps://archiv.ub.uni-heidelberg.de/images/artdok.gifhttps://archiv.ub.uni-heidelberg.de/artdok/2023-07-13T12:24:59Z2023-07-14T08:37:55Zhttps://archiv.ub.uni-heidelberg.de/artdok/id/eprint/8515This item is in the repository with the URL: https://archiv.ub.uni-heidelberg.de/artdok/id/eprint/85152023-07-13T12:24:59ZL'idée de l'homme dans l'esprit divin à ChartresLech Kalinowski2016-10-27T11:47:27Z2016-10-31T11:25:25Zhttps://archiv.ub.uni-heidelberg.de/artdok/id/eprint/2985This item is in the repository with the URL: https://archiv.ub.uni-heidelberg.de/artdok/id/eprint/29852016-10-27T11:47:27ZArte popolare polaccaJan K. Ostrowski2016-06-16T09:29:23Z2016-06-27T09:16:08Zhttps://archiv.ub.uni-heidelberg.de/artdok/id/eprint/4140This item is in the repository with the URL: https://archiv.ub.uni-heidelberg.de/artdok/id/eprint/41402016-06-16T09:29:23ZDie schlesische Barockskulptur um 1700 - Durchbruch oder Stabilisierung?Tadeusz Chrzanowski2016-04-29T16:52:11Z2016-05-02T06:36:50Zhttps://archiv.ub.uni-heidelberg.de/artdok/id/eprint/3968This item is in the repository with the URL: https://archiv.ub.uni-heidelberg.de/artdok/id/eprint/39682016-04-29T16:52:11ZReliefLorenz Dittmann2015-07-27T14:04:37Z2015-08-06T09:57:02Zhttps://archiv.ub.uni-heidelberg.de/artdok/id/eprint/3471This item is in the repository with the URL: https://archiv.ub.uni-heidelberg.de/artdok/id/eprint/34712015-07-27T14:04:37ZDie "Kniende" (Paris 1911)Dietrich Schubert2014-12-16T15:37:49Z2015-01-20T14:41:10Zhttps://archiv.ub.uni-heidelberg.de/artdok/id/eprint/2972This item is in the repository with the URL: https://archiv.ub.uni-heidelberg.de/artdok/id/eprint/29722014-12-16T15:37:49ZAnmerkungen zur Kunst LehmbrucksDietrich Schubert2008-07-09T14:44:32Z2013-11-06T10:26:18Zhttps://archiv.ub.uni-heidelberg.de/artdok/id/eprint/558This item is in the repository with the URL: https://archiv.ub.uni-heidelberg.de/artdok/id/eprint/5582008-07-09T14:44:32ZZum Antikenbesitz des Anton Raphael Mengs und zur Geschichte und Wirkung seiner FormensammlungSteffi Roettgen