From the "exemplum virtutis" to the Apotheosis: Hercules as an identification figure in portraiture: an example of the adoption of classical forms of representation

Polleroß, Friedrich B.

In: Ellenius, Allan (Hrsg.): Iconography, propaganda, and legitimation. Oxford 1998, pp. 37-62

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• URN: urn:nbn:de:bsz:16-artdok-13675
• DOI: 10.11588/artdok.00001367

Document type:	Book Section
Version:	Secondary publication
Date Deposited:	12 Oct 2010 14:18
Faculties / Institutes:	Research Project, Working Group > Individuals
DDC-classification:	Painting
Controlled Keywords:	Herakles, Bildnismalerei, Geschichte 1400-1800
Subject (classification):	Painting
Paper series:	Series Volume Works by Friedrich B. Polleroß 29