eprintid: 1103
rev_number: 5
eprint_status: archive
userid: 2
dir: disk0/00/00/11/03
datestamp: 2010-04-29 10:24:56
lastmod: 2013-11-06 10:27:14
status_changed: 2010-04-29 10:25:36
type: bookPart
metadata_visibility: show
creators_name: Endrödi, Gábor
title: The chancellor's three reasons for painting in churches
ispublished: pub
subjects: ddc-750
divisions: i-9
cterms_swd: Philipp <der Kanzler> / Summa de bono
cterms_swd: Bildwissenschaft
cterms_swd: Bildtheorie
abstract: Der Aufsatz behandelt das Kapitel "de imaginibus" in der Summa de bono Philipps des Kanzlers. Die "ratio triplex" für den kirchlichen Gebrauch von Bildern, die zum ersten Mal bei Philipp zu finden ist, wird als ein Versuch gedeutet, die Rudimente des griechischen Bilddiskurses, wie Johannes von Damaskos sie vermittelte, mit der augustinischen Trinitätslehre abzustimmen. Nach dieser Deutung spielte das gregorianische Diktum, die Bilder seien die Schrift der Ungebildeten, in der hochscholastischen Summenliteratur keinerlei Rolle, und die Frage, wie berechtigt man über eine kohäsive Bildtheorie oder Bildauffassung des mittelalterlichen Westens reden kann, soll neu gestellt werden.
abstract_translated_text: The article examines the chapter "de imaginibus" in the "Summa de bono" of Philip the Chancellor. The author interprets the "ratio triplex" for the ecclesiastical use of images, formulated by Philip for the first time, as an attempt to reconcile rudiments of the Greek discourse on images, as imparted by John Damascene, with Augustine’s theology of the Trinity. According to this interpretation, the Gregorian dictum on images as writing for the illiterate played no role in High Scholastic summas, and we have to reconsider the question how legitimate is to talk about a cohesive theory or conception of the image in the Medieval West.
abstract_translated_lang: eng
date: 2010
date_type: published
id_scheme: DOI
id_number: 10.11588/artdok.00001103
ppn_swb: 1649109601
own_urn: urn:nbn:de:bsz:16-artdok-11036
language: ger
bibsort: ENDRODIGABTHECHANCEL2010
full_text_status: public
place_of_pub: Budapest
pagerange: 137-150
book_title: Bonum et Pulchrum. Essays in Art History in Honour of Ernö Marosi on His Seventieth Birthday
editors_name: Varga, Livia
title_lat: The chancellor's three reasons for painting in churches
laender: LFr
themen: T20
themen: T14
oa_type: green
citation:   Endrödi, Gábor  (2010) The chancellor's three reasons for painting in churches.   In: Varga, Livia (Hrsg.):  Bonum et Pulchrum. Essays in Art History in Honour of Ernö Marosi on His Seventieth Birthday.   Budapest 2010, pp. 137-150        
document_url: https://archiv.ub.uni-heidelberg.de/artdok/1103/1/Endroedi_The_Chancellors_Three_Reasons_for_Painting_in_Churches_2010.pdf