eprintid: 1442
rev_number: 7
eprint_status: archive
userid: 2
dir: disk0/00/00/14/42
datestamp: 2010-12-03 14:51:29
lastmod: 2015-08-18 07:18:27
status_changed: 2011-01-27 09:10:43
type: article
metadata_visibility: show
creators_name: Baranowa, Anna
title: Gesamtkunstwerk Tadeusza Kantora - między awangardą a mitem
title_en: Tadeusz Kantor's Gesamtkunstwerk - between the Avant-Garde and the myth
ispublished: pub
subjects: 700
divisions: 9
cterms_swd: Kantor, Tadeusz
cterms_swd: Kantor, Tadeusz / Umarla klasa
abstract_translated_text: A synthesis of the arts is in artistic circles something like a sea serpent. It is constantly talked about, but it is not be seen at all – wrote in 1964 Michel Ragon, emphasizing that we meet here with desires rather than with actual results. This artistic obsession, preoccupying creators with different intensity and in different variants at least since the time of Wagner, found its unexpected realization in Kantor’s Theatre of Death. Unexpected because contrary to the statements reiterated by the artist himself on the other hand, necessary since – as I prove in the present paper – ensuing from the dynamics of the inner development of creative activity of the author of "The Dead Class".
abstract_translated_lang: eng
date: 1995
date_type: published
ubhd_kollation: + Abb. 1-6
id_scheme: DOI
id_number: 10.11588/artdok.00001442
collection: c-4
ppn_swb: 1650660855
own_urn: urn:nbn:de:bsz:16-artdok-14429
language: pol
bibsort: BARANOWAANGESAMTKUNS1995
full_text_status: public
publication: Prace z Historii Sztuki
volume: 21
pagerange: 83-97
laender: LOs
title_lat: Gesamtkunstwerk Tadeusza Kantora - miedzy awangarda a mitem
themen: T11
oa_type: green
citation:   Baranowa, Anna  (1995) Gesamtkunstwerk Tadeusza Kantora - między awangardą a mitem.   In:  Prace z Historii Sztuki, 21 (1995),   pp. 83-97 + Abb. 1-6.      
document_url: https://archiv.ub.uni-heidelberg.de/artdok/1442/1/Baranowa_Gesamtkunstwerk_Tadeusza_Kantora_1995.pdf