eprintid: 1612
rev_number: 7
eprint_status: archive
userid: 2
dir: disk0/00/00/16/12
datestamp: 2011-07-12 17:30:31
lastmod: 2013-11-06 10:28:08
status_changed: 2011-07-12 17:30:31
type: bookPart
metadata_visibility: show
creators_name: Müller, Jürgen
creators_name: Hetebrügge, Jörn
title: Out of focus - Verkantungen, Unschärfen und Verunsicherungen in Orson Welles' "The Lady from Shanghai" (1947)
ispublished: pub
subjects: ddc-700
divisions: i-9
cterms_swd: The Lady from Shanghai
abstract_translated_lang: eng
date: 2005
date_type: published
id_scheme: DOI
id_number: 10.11588/artdok.00001612
schriftenreihe_cluster_id: sr-24
schriftenreihe_order: 047
ppn_swb: 1417206764
own_urn: urn:nbn:de:bsz:16-artdok-16121
language: ger
bibsort: MULLERJURGOUTOFFOCUS2005
full_text_status: public
place_of_pub: Nürnberg
pagerange: 140-153
book_title: Film : Ist und Als-ob in der Kunst
editors_name: Bilstein, Johannes
themen: T18
title_lat: Out of focus - Verkantungen, Unscharfen und Verunsicherungen in Orson Welles' "The Lady from Shanghai" (1947)
oa_type: green
laender: LUs
citation:   Müller, Jürgen ; Hetebrügge, Jörn  (2005) Out of focus - Verkantungen, Unschärfen und Verunsicherungen in Orson Welles' "The Lady from Shanghai" (1947).   In: Bilstein, Johannes (Hrsg.):  Film : Ist und Als-ob in der Kunst.   Nürnberg 2005, pp. 140-153        
document_url: https://archiv.ub.uni-heidelberg.de/artdok/1612/1/Mueller_Hetebruegge_Out_of_focus_2005.pdf