title: Pictorial Symbolism and the Philosophical Savage
creator: Hage, Ralph
subject: ddc-750
subject: Painting
subject: France
subject: Painting
subject: Aurier, Gabriel-Albert
subject: Gauguin, Paul
subject: Symbolismus
subject: Wildheit
subject: Primitivismus
description: The article argues that the art critic Albert Aurier’s use of the European stereotype of the "savage" as a description of Paul Gauguin, was primarily an idealist philosophical strategy for opposing late XIXth century naturalism and its scientific underpinnings. It led to the formation of the Artists’ image and determined the reading of his work for more than a century.
date: 2016
type: Article
type: info:eu-repo/semantics/article
type: NonPeerReviewed
identifier: https://archiv.ub.uni-heidelberg.de/artdok/5311/
format: application/pdf
identifier: https://archiv.ub.uni-heidelberg.de/artdokhttps://archiv.ub.uni-heidelberg.de/artdok/5311/1/Hage_Pictorial_Symbolism_and_the_philosophical_Savage_2016.pdf
identifier: urn:nbn:de:bsz:16-artdok-53114
rights: info:eu-repo/semantics/openAccess
language: eng