eprintid: 6211
rev_number: 14
eprint_status: archive
userid: 4
dir: disk0/00/00/62/11
datestamp: 2019-01-03 10:17:09
lastmod: 2019-01-10 16:15:30
status_changed: 2019-01-03 10:17:09
type: bookPart
metadata_visibility: show
creators_name: Arnoux, Mathilde
title: Contemporary Polish art seen through the lens of French art critics invited to the AICA Congress in Warsaw and Cracow in 1960
subjects: ddc-700
divisions: i-9
cterms_swd: Polen
cterms_swd: Kunst
cterms_swd: Rezeption
cterms_swd: Frankreich
cterms_swd: Kunstkritik
cterms_swd: Geschichte 1960
date: 2017
id_scheme: DOI
id_number: 10.11588/artdok.00006211
collection: c-10
ppn_swb: 1653298472
own_urn: urn:nbn:de:bsz:16-artdok-62114
language: eng
bibsort: ARNOUXMATHCONTEMPORA2017
full_text_status: public
series: Södertörn studies in art history and aesthetics
volume: 3
place_of_pub: Huddinge
pagerange: 39-61
book_title: Art in transfer in the era of pop : curatorial practices and transnational strategies
editors_name: Öhrner, Annika
themen: T11
laender: LFr
laender: LOs
oa_type: green
citation:   Arnoux, Mathilde  (2017) Contemporary Polish art seen through the lens of French art critics invited to the AICA Congress in Warsaw and Cracow in 1960.   In: Öhrner, Annika (Hrsg.):  Art in transfer in the era of pop : curatorial practices and transnational strategies.   Huddinge 2017, pp. 39-61 (Södertörn studies in art history and aesthetics ; 3)       
document_url: https://archiv.ub.uni-heidelberg.de/artdok/6211/1/Arnoux_Contemporary_Polish_art_seen_through_the_lens_of_French_art_critics_2017.pdf