eprintid: 6231
rev_number: 19
eprint_status: archive
userid: 18
dir: disk0/00/00/62/31
datestamp: 2018-12-21 09:46:56
lastmod: 2019-01-07 15:23:33
status_changed: 2018-12-21 09:46:56
type: bookPart
metadata_visibility: show
creators_name: Keazor, Henry
title: Charting the criminal: maps as devices of orientation and control in Fritz Lang’s M (1931) and Francesco Rosi’s Le mani sulla città (1963)
subjects: ddc-700
divisions: i-9
cterms_swd: M <Film>
cterms_swd: Le mani sulla città
cterms_swd: Karte <Motiv>
date: 2017
id_scheme: DOI
id_number: 10.11588/artdok.00006231
schriftenreihe_cluster_id: sr-30
schriftenreihe_order: 89
ppn_swb: 1585972223
own_urn: urn:nbn:de:bsz:16-artdok-62315
language: eng
bibsort: KEAZORHENRCHARTINGTH2017
full_text_status: public
place_of_pub: New York, NY
pagerange: 65-77
book_title: Cinematic urban geographies
editors_name: Penz, François
editors_name: Koeck, Richard
oa_type: green
title_lat: Charting the criminal: maps as devices of orientation and control in Fritz Lang's M (1931) and Francesco Rosi's Le mani sulla citta (1963)
laender: LDe
laender: LIt
themen: T18
citation:   Keazor, Henry  (2017) Charting the criminal: maps as devices of orientation and control in Fritz Lang’s M (1931) and Francesco Rosi’s Le mani sulla città (1963).   In: Penz, François ; Koeck, Richard (Hrsgg.):  Cinematic urban geographies.   New York, NY 2017, pp. 65-77        
document_url: https://archiv.ub.uni-heidelberg.de/artdok/6231/1/Keazor_Charting_the_criminal_2017.pdf