eprintid: 7363
rev_number: 20
eprint_status: archive
userid: 4
dir: disk0/00/00/73/63
datestamp: 2021-05-17 12:46:56
lastmod: 2021-05-26 11:23:12
status_changed: 2021-05-17 12:46:56
type: bookPart
metadata_visibility: show
creators_name: Müller, Jürgen
creators_name: Hetebrügge, Jörn
title: Out of focus : oblique angles, soft focus, and unsettling effects in Orson Welles's The Lady from Shanghai
subjects: ddc-700
divisions: i-9
cterms_swd: The @Lady from Shanghai
date: 2014
id_scheme: DOI
id_number: 10.11588/artdok.00007363
schriftenreihe_cluster_id: sr-24
schriftenreihe_order: 78b
ppn_swb: 1758966424
own_urn: urn:nbn:de:bsz:16-artdok-73631
language: eng
bibsort: MULLERJURGOUTOFFOCUS2014
full_text_status: public
place_of_pub: Köln
pagerange: 21-35
book_title: Film noir : 100 all-time favorites
editors_name: Duncan, Paul
editors_name: Müller, Jürgen
oa_type: green
laender: LUs
themen: T18
citation:   Müller, Jürgen ; Hetebrügge, Jörn  (2014) Out of focus : oblique angles, soft focus, and unsettling effects in Orson Welles's The Lady from Shanghai.   In: Duncan, Paul ; Müller, Jürgen (Hrsgg.):  Film noir : 100 all-time favorites.   Köln 2014, pp. 21-35        
document_url: https://archiv.ub.uni-heidelberg.de/artdok/7363/1/Mueller_Juergen_Hetebruegge_Out_of_focus_2014.pdf