eprintid: 7661 rev_number: 14 eprint_status: archive userid: 4 dir: disk0/00/00/76/61 datestamp: 2021-12-03 10:52:13 lastmod: 2021-12-20 08:26:51 status_changed: 2021-12-03 10:52:13 type: article metadata_visibility: show creators_name: Kienlechner, Susanne title: Lion Feuchtwanger, la corrida e i cavalli feriti. Osservazioni e analisi subjects: ddc-750 divisions: i-9 cterms_swd: Feuchtwanger, Lion / Erfolg cterms_swd: Hemingway, Ernest cterms_swd: Goya y Lucientes, Francisco José de cterms_swd: Mayer, August Liebmann cterms_swd: Stierkampf cterms_swd: Stierkampf cterms_swd: Pferd note: Zugang zum Text in deutscher Sprache siehe Link "Verwandte URLs". abstract: Lion Feuchtwanger nel suo romanzo “Successo” (Erfolg) pubblicato nel 1930 criticò fortemente il fenomeno della corrida. Tuttavia, tra i suoi contemporanei, lo scrittore Ernest Hemingway e il pittore Pablo Picasso furono noti per le loro frequenti visite alle corride e non esitarono a rappresentare le scene più raccapriccianti nei loro capolavori, come fu per il pittore Francisco de Goya alla fine del XVIII secolo. Quale fu l'opinione del famoso esperto di pittura spagnola August Liebmann Mayer in merito? La risposta su come l'entusiasmo per la corrida in tutta la sua crudele bellezza si traducesse poi nelle loro opere d'arte in un atteggiamento critico non fu mai trovata: dobbiamo limitarci a descrivere l'ambivalenza umana. abstract_translated_text: Lion Feuchtwanger was very critical of bullfighting in his novel "Success", published in 1930. However, his contemporaries, the writer Ernest Hemingway and the painter Pablo Picasso, were famous for their frequent visits to bullfights and did not hesitate to depict the cruellest scenes in their masterpieces, as was the case with the painter Francisco de Goya at the end of the 18th century, and what was the opinion of the renowned Spanish painting expert August Liebmann Mayer? The answer to the question of how the enthusiasm for bullfighting in all its cruel beauty translates into a critical attitude in their works of art will never be found: we must confine ourselves to describing human ambivalence. abstract_translated_lang: eng date: 2021 id_scheme: DOI id_number: 10.11588/artdok.00007661 ppn_swb: 1782571248 own_urn: urn:nbn:de:bsz:16-artdok-76616 language: ita vgwort_code: 07598ab21edf437094e4a1a78621ce1f bibsort: KIENLECHNELIONFEUCHT2021 full_text_status: public related_url_url: http://archiv.ub.uni-heidelberg.de/artdok/volltexte/2021/7624 themen: T11 themen: T15 themen: T25 themen: T14 oa_type: gold laender: LDe laender: LSp laender: LUs citation: Kienlechner, Susanne (2021) Lion Feuchtwanger, la corrida e i cavalli feriti. Osservazioni e analisi. document_url: https://archiv.ub.uni-heidelberg.de/artdok/7661/1/Kienlechner_Lion_Feuchtwanger_la_corrida_e_i_cavalli_feriti_2021.pdf