eprintid: 7694
rev_number: 21
eprint_status: archive
userid: 19
dir: disk0/00/00/76/94
datestamp: 2022-05-12 14:03:21
lastmod: 2022-05-30 14:45:55
status_changed: 2022-05-12 14:03:21
type: bookPart
metadata_visibility: show
creators_name: Roland, Martin
title: Ulrich von Lilienfeld und die “Originalhandschrift” seiner Concordantiae Caritatis
subjects: ddc-750
divisions: i-9
cterms_swd: Ulrich, Lilienfeld, Abt / Concordantiae caritatis
cterms_swd: Ulrich, Lilienfeld, Abt / Concordantiae caritatis (Stiftsbibliothek Lilienfeld), Cod. 151
cterms_swd: Illuminierte Handschrift
abstract: Ulrich's Concordantiae mark the final point of the typologicalliterature of the Middle Ages. Due to the inseparable
combination of image and explanatory text the question of autograph must deal with the script and the illustrations.
A dose look at the codicology, palaeography and style of Lilienfeld, Stifts bibliothek, Cod. 151 leads the author to
propose that it was Ulrich, who masterminded the production of the manuscript. He himself started with the writing,
subseqnently relying on other scribes, who might have been Ulrich's students within the convent. Their contributions were
intensively corrected by Ulrich. All the rubra and all the lettering within the illustrations are ofUlrich's own hand.
How can an author communicate over 1000 topics to an illustrator, especially bearing in mind that for very many of
the topics no pre-existing iconographic models were at hand? Ulrich must necessarily have worked dosely with his artist
colleagues, because his own part - which is dearly to be distinguished - is both insignificant and oflow quality.
The "Original Manuscript" of the Concordantiae represents the manuscript type "Author's representative copy".
Because of the direct involvement of the author, this type is rare but Ulrich's case is by no means unique. Especially when
text and illustrations are dosely connected this type is of some importance. Another prominent example is the copy of the
"Klosterneuburger Evangelienwerk" in Schaffhausen, which is the result of intensive cooperation between an excellent
illuminator and the so-called "Österreichischer Bibelübersetzer".
date: 2013
id_scheme: DOI
id_number: 10.11588/artdok.00007694
ppn_swb: 1805231723
own_urn: urn:nbn:de:bsz:16-artdok-76940
language: ger
bibsort: ROLANDMARTULRICHVONL2013
full_text_status: public
series: Bibliologia
volume: 36
place_of_pub: Turnhout
pagerange: 181-200
book_title: Medieval Autograph Manuscripts : Proceedings of the XVIIth Colloquium of the Comité international de Paléographie latine, held in Ljubljana, 7–10 September 2010
editors_name: Golob, Nataša
oa_type: green
title_lat: Ulrich von Lilienfeld und die "Originalhandschrift" seiner Concordantiae Caritatis
laender: LDe
themen: T14
citation:   Roland, Martin  (2013) Ulrich von Lilienfeld und die “Originalhandschrift” seiner Concordantiae Caritatis.   In: Golob, Nataša (Hrsg.):  Medieval Autograph Manuscripts : Proceedings of the XVIIth Colloquium of the Comité international de Paléographie latine, held in Ljubljana, 7–10 September 2010.   Turnhout 2013, pp. 181-200 (Bibliologia ; 36)       
document_url: https://archiv.ub.uni-heidelberg.de/artdok/7694/1/Roland_Ulrich_von_Lilienfeld_und_die_Originalhandschrift_2013.pdf