TY  - JOUR
Y1  - 1998///
SP  - 292
ID  - artdok8018
N2  - The Hogarth print, Credulity, Superstition, and Fanaticism (1762) is compared with its rather different, unpub­lished first state, Enthusiasm Delineated (1761). The published version of the engraving is discussed as a sat­ire on Methodist fanaticism. However, the first state, which is hidden by the second, is revealed as a polemic on shopworn academic French art theory and on a mis­placed, even erotically passionate, enthusiasm for the Old Masters.
IS  - 2
JF  - The art bulletin
VL  - 80
TI  - We see a ghost : Hogarth's satire on Methodists and connoisseurs
A1  - Krysmanski, Bernd
UR  - https://archiv.ub.uni-heidelberg.de/artdok/8018/
EP  - 310
KW  - Credulity
KW  -  Superstition
KW  -  and Fanaticism / Enthusiasm Delineated / George Whitefield / William Romaine / Cock Lane Ghost / Drummer of Tedworth / Mary Toft / Raphael / Peter Paul Rubens / Albrecht Dürer / Rembrandt / Michelangelo / Roger de Piles / Charles Le Brun / Balance des peintres / Holy Spirit / preacher / madness / sexuality / thermometer / barometer / puppets / suicide / connoisseurs
AV  - public
ER  -