eprintid: 8051
rev_number: 21
eprint_status: archive
userid: 21
dir: disk0/00/00/80/51
datestamp: 2022-11-28 13:56:34
lastmod: 2022-11-30 09:35:26
status_changed: 2022-11-28 13:56:34
type: bookPart
metadata_visibility: show
creators_name: Jonker, Marijke
title: Overwonnen theatraliteit : Delécluze over David
subjects: ddc-700
subjects: ddc-750
divisions: i-9
cterms_swd: Delécluze, Étienne Jean
cterms_swd: David, Jacques Louis
cterms_swd: Kunstkritik
abstract: The writings of the French art critc Étienne-Jean Delécluze illustrate a more general transition from a mimetic to an idealistic theory of expression, which started in French art theory and art criticism during the years 1820-1840. This article traces the development of his thinking from the Salon of 1824 and his discussion with Stendhal on Shakespearian and Homeric art to the end of his career. It is shown that the concept of theatricality occupied a central place in Delécluze’s critiques and that the meaning of this concept followed his changing ideas on expression and history painting.
date: 1995
publisher: Verloren
id_scheme: DOI
id_number: 10.11588/artdok.00008051
ppn_swb: 1824017642
own_urn: urn:nbn:de:bsz:16-artdok-80515
language: und
bibsort: JONKERMARIOVERWONNEN1995
full_text_status: public
place_of_pub: Hilversum
pagerange: 157-170
book_title: Dans der Muzen : De relatie tussen de kunsten gethematiseerd
editors_name: Fleurkens, Anneke C.G.
editors_name: Korpel, Luc G.
editors_name: Meerhoff, Kees
themen: T11
themen: T20
themen: T14
oa_type: green
title_lat: Overwonnen theatraliteit : Delecluze over David
laender: LFr
citation:   Jonker, Marijke  (1995) Overwonnen theatraliteit : Delécluze over David.   In: Fleurkens, Anneke C.G. ; Korpel, Luc G. ; Meerhoff, Kees (Hrsgg.):  Dans der Muzen : De relatie tussen de kunsten gethematiseerd.   Hilversum, Verloren 1995, pp. 157-170        
document_url: https://archiv.ub.uni-heidelberg.de/artdok/8051/1/Jonker_Overwonnen_theatraliteit_Del%C3%A9cluze_over_David_1995.pdf