eprintid: 9369
rev_number: 14
eprint_status: archive
userid: 4
dir: disk0/00/00/93/69
datestamp: 2024-12-20 10:23:39
lastmod: 2024-12-20 10:43:22
status_changed: 2024-12-20 10:23:39
type: review
metadata_visibility: show
creators_name: Zöllner, Frank
title: Die religiösen Gemälde Sandro Botticellis. Malerei als "pia philosophia". By Damian Dombrowski. - [Rezension]
subjects: ddc-750
divisions: i-9
cterms_swd: Botticelli, Sandro
cterms_swd: Malerei
abstract: The review praises the book's comprehensive detailed analyses, but criticises Dombrowski's understanding of the so-called ‘Savonarola problem’. The solution probably lies simply in the fact that Botticelli was also dependent on commissions in the 1490s - regardless of whether they came from supporters or opponents of Savonarola. The artist worked for both groups of clients and provided them with the desired style. This adaptability was constitutive of his success as a painter, but to this day makes it difficult to date his late works reliably on the basis of stylistic criticism alone.
date: 2012
id_scheme: DOI
id_number: 10.11588/artdok.00009369
schriftenreihe_cluster_id: sr-2
schriftenreihe_order: 39a
ppn_swb: 1913109100
own_urn: urn:nbn:de:bsz:16-artdok-93699
language: eng
bibsort: ZOLLNERFRADIERELIGIO2012
full_text_status: public
publication: The Burlington magazine
volume: 154
number: January
pagerange: 45
laender: LIt
oa_type: green
themen: T11
themen: T14
title_lat: Die religiosen Gemalde Sandro Botticellis. Malerei als "pia philosophia". By Damian Dombrowski. - [Rezension]
citation:   Zöllner, Frank  (2012) Die religiösen Gemälde Sandro Botticellis. Malerei als "pia philosophia". By Damian Dombrowski. - [Rezension].   In:  The Burlington magazine, 154 (2012), Nr. January.   p. 45      
document_url: https://archiv.ub.uni-heidelberg.de/artdok/9369/1/Zoellner_Die_religioesen_Gemaelde_Sandro_Botticellis_2012.pdf