title: Vorbilder und Nachbilder. Michelangelos Maus in der Medicikapelle als hermeneutischer Testfall
creator: Zöllner, Frank
subject: ddc-730
subject: Plastic arts, numismatics, ceramics, metalwork
subject: Italy
subject: Iconography
subject: Sculpture
subject: Michelangelo <Buonarroti>
subject: San Lorenzo <Florenz, Neue Sakristei>
subject: Grabmal
subject: Ikonographie
subject: Allegorie
subject: Rezeption
description: The article reconstructs the concept originally intended by Michelangelo for the Medici Chapel in San Lorenzo in Florence. At its very core was the representation of the passing of mundane time. For his original concept, Michelangelo refers to two conceptual paradigms: ancient and medieval traditions of the allegorical representation of time (Barlaam and Josaphat), which he combines to form a synthesis. In a second hermeneutical step, a look at the perception of the Medici Chapel by Michelangelo's contemporaries follows. This reveals the extent to which 16th-century beholders have understood Michelangelo's original concept. An example of contemporary understanding is the mouse, which Ascanio Condivi referred to as a symbol of passing time.
contributor: Satzinger, Georg
contributor: Schütze, Sebastian
date: 2020
type: Book Section
type: info:eu-repo/semantics/bookPart
type: NonPeerReviewed
identifier: https://archiv.ub.uni-heidelberg.de/artdok/9430/
format: application/pdf
identifier: https://archiv.ub.uni-heidelberg.de/artdokhttps://archiv.ub.uni-heidelberg.de/artdok/9430/1/Zoellner_Vorbilder_und_Nachbilder_Michelangelos_Maus_in_der_Medicikapelle_2020.pdf
identifier: urn:nbn:de:bsz:16-artdok-94301
rights: info:eu-repo/semantics/openAccess
language: ger