eprintid: 9437
rev_number: 15
eprint_status: archive
userid: 24
dir: disk0/00/00/94/37
datestamp: 2025-02-27 10:09:35
lastmod: 2025-03-28 09:41:42
status_changed: 2025-02-27 10:09:35
type: bookPart
metadata_visibility: show
creators_name: Zöllner, Frank
title: Leonardo da Vinci on painting: from the use of types to the criticism of types
subjects: ddc-700
subjects: ddc-750
divisions: i-9
cterms_swd: Leonardo <da Vinci> / Anbetung der Könige
cterms_swd: Leonardo <da Vinci> / Trattato della pittura
cterms_swd: Alter <Motiv>
cterms_swd: Kunstkritik
cterms_swd: Kunstgeschichte <Fach>
abstract: Leonardo da Vinci's Adoration of the Magi of 1481/82 is dominated by two different figure types. In particular in the foreground, there are almost exclusively elderly men with a beard on the one side and angel-like young men on the other. It has long been recognized and discussed that Leonardo’s use of certain figure types in his paintings is deeply rooted in a Florentine tradition. In the first part of my paper I reconsider this discussion in view of the Florentine culture, in a second part I discuss Leonardo’s merits as theorist and his criticism of Florentine art.
date: 2022
ubhd_kollation: ; Abbildungen, Abbildungsnachweis (S. 432)
id_scheme: DOI
id_number: 10.11588/artdok.00009437
schriftenreihe_cluster_id: sr-2
schriftenreihe_order: 71
ppn_swb: 1919359958
own_urn: urn:nbn:de:bsz:16-artdok-94372
language: eng
bibsort: ZOLLNERFRALEONARDODA2022
full_text_status: public
series: Biblioteca Leonardiana
volume: 10
place_of_pub: Firenze
pagerange: 89-97
book_title: Leonardo da Vinci e la lingua della pittura in Europa (secoli XIV-XVII) : atti del convegno internazionale di studi (Parigi-Torino, 4-5 aprile e 27-29 novembre 2019)
editors_name: Quaglino, Margherita
editors_name: Sconza, Anna
themen: T20
themen: T14
laender: LIt
oa_type: green
citation:   Zöllner, Frank  (2022) Leonardo da Vinci on painting: from the use of types to the criticism of types.   In: Quaglino, Margherita ; Sconza, Anna (Hrsgg.):  Leonardo da Vinci e la lingua della pittura in Europa (secoli XIV-XVII) : atti del convegno internazionale di studi (Parigi-Torino, 4-5 aprile e 27-29 novembre 2019).   Firenze 2022, pp. 89-97 ; Abbildungen, Abbildungsnachweis (S. 432) (Biblioteca Leonardiana ; 10)       
document_url: https://archiv.ub.uni-heidelberg.de/artdok/9437/1/Zoellner_Leonardo_da_Vinci_on_painting_from_the_use_of_types_to_the_criticism_of_types_2022.pdf