eprintid: 9471
rev_number: 10
eprint_status: archive
userid: 24
dir: disk0/00/00/94/71
datestamp: 2025-03-10 16:53:33
lastmod: 2025-03-10 16:53:45
status_changed: 2025-03-10 16:53:33
type: article
metadata_visibility: show
creators_name: Zöllner, Frank
title: Leonardo da Vinci's Salvator Mundi as a touchstone of art-historical methodology
subjects: ddc-750
divisions: i-9
cterms_swd: Leonardo da Vinci / Salvator mundi
cterms_swd: Christusdarstellung
cterms_swd: Rezeption
cterms_swd: Kopie
cterms_swd: Kunstgeschichte <Fach>
abstract: This essay discusses a number of variants of the portraits of Christ and highlights the scope and importance of traditional methods of art history for our understanding of Leonardo da Vinci’s „Salvator Mundi“ and that these methods have not yet been fully applied.
date: 2022
id_scheme: DOI
id_number: 10.11588/artdok.00009471
official_url: https://doi.org/10.48633/ksttx.2022.1.88237
schriftenreihe_cluster_id: sr-2
schriftenreihe_order: 72
own_urn: urn:nbn:de:bsz:16-artdok-94716
language: eng
bibsort: ZOLLNERFRALEONARDODA2022
full_text_status: none
publication: Kunsttexte.de
number: 1
themen: T14
oa_type: green
laender: LBe
laender: LDe
laender: LIt
citation:   Zöllner, Frank  (2022) Leonardo da Vinci's Salvator Mundi as a touchstone of art-historical methodology.   In:  Kunsttexte.de, Nr. 1   (2022),