1. Home
  2. Search
  3. Fulltext search
  4. Browse
  5. Recent Items rss
  6. Publish

Lion Feuchtwanger, la corrida e i cavalli feriti. Osservazioni e analisi

Kienlechner, Susanne

[thumbnail of Kienlechner_Lion_Feuchtwanger_la_corrida_e_i_cavalli_feriti_2021.pdf]
Preview
 PDF, Italian
Download (1MB) | Lizenz: Creative Commons LizenzvertragLion Feuchtwanger, la corrida e i cavalli feriti. Osservazioni e analisi by Kienlechner, Susanne underlies the terms of Creative Commons Attribution - ShareAlike 4.0
For citations of this document, please do not use the address displayed in the URL prompt of the browser. Instead, please cite with one of the following:

Abstract

Lion Feuchtwanger nel suo romanzo “Successo” (Erfolg) pubblicato nel 1930 criticò fortemente il fenomeno della corrida. Tuttavia, tra i suoi contemporanei, lo scrittore Ernest Hemingway e il pittore Pablo Picasso furono noti per le loro frequenti visite alle corride e non esitarono a rappresentare le scene più raccapriccianti nei loro capolavori, come fu per il pittore Francisco de Goya alla fine del XVIII secolo. Quale fu l'opinione del famoso esperto di pittura spagnola August Liebmann Mayer in merito? La risposta su come l'entusiasmo per la corrida in tutta la sua crudele bellezza si traducesse poi nelle loro opere d'arte in un atteggiamento critico non fu mai trovata: dobbiamo limitarci a descrivere l'ambivalenza umana.

Translation of abstract (English)

Lion Feuchtwanger was very critical of bullfighting in his novel "Success", published in 1930. However, his contemporaries, the writer Ernest Hemingway and the painter Pablo Picasso, were famous for their frequent visits to bullfights and did not hesitate to depict the cruellest scenes in their masterpieces, as was the case with the painter Francisco de Goya at the end of the 18th century, and what was the opinion of the renowned Spanish painting expert August Liebmann Mayer? The answer to the question of how the enthusiasm for bullfighting in all its cruel beauty translates into a critical attitude in their works of art will never be found: we must confine ourselves to describing human ambivalence.

Document type: Article
Date: 2021
Version: Primary publication
Date Deposited: 03 Dec 2021 10:52
Faculties / Institutes: Research Project, Working Group > Individuals
DDC-classification: Painting
Controlled Keywords: Feuchtwanger, Lion / Erfolg, Hemingway, Ernest, Goya y Lucientes, Francisco José de, Mayer, August Liebmann, Stierkampf, Stierkampf <Motiv>, Pferd <Motiv>
Subject (classification): Artists, Architects
Drawing, Printmaking
Iconography
Painting
Countries/Regions: Germany, Switzerland, Austria
Spain, Portugal
United States, Canada
Additional Information: Zugang zum Text in deutscher Sprache siehe Link "Verwandte URLs".