Max Beckmann (1884-1950) und die optischen Täuschungen auf dem Portrait von "Euretta Rathbone", 1947, dem Triptychon "Akrobaten", 1939 und dem Gemälde "Bauernholzträger" , 1941. Der Versuch einer Analyse.

Kienlechner, Susanne

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URN: urn:nbn:de:bsz:16-artdok-91999
URL: http://archiv.ub.uni-heidelberg.de/artdok/volltexte/2024/9199
DOI: 10.11588/artdok.00009199

Document type:	Article
Place of Publication:	Heidelberg
Date:	2024
Version:	Primary publication
Date Deposited:	18 Sep 2024 12:21
Faculties / Institutes:	Research Project, Working Group > Individuals
DDC-classification:	Painting
Controlled Keywords:	Beckmann, Max / Bildnis Euretta Rathbone, Beckmann, Max / Akrobaten, Beckmann, Max / Bauernholzträger, Optische Täuschung
Subject (classification):	Artists, Architects Iconography Painting
Countries/Regions:	Germany, Switzerland, Austria United States, Canada