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Abstract
This article traces the still successful principle of before-and-after illustrations of ancient monuments back to its beginnings in the 16th century. After the juxtaposition of reconstructed original states of buildings in ancient Rome and their ruined or transformed state in the present was first tested in drawings, from 1600 onwards, the same instructive depiction of the decline of ancient grandeur was increasingly used in printed products, preferably in handbooks on Rome, travel guides and illustrated works for the general (pilgrim) public. The protagonists here were Giovanni Maggi and Alessandro Donati. Reusing the former's pictorial inventions, the first systematic use of before-and-after illustrations was made in posthumous new editions of the latter's works from 1662 onwards, disseminated in numerous subsequent reprints.
| Document type: | Article |
|---|---|
| Date: | 2023 |
| Version: | Secondary publication |
| Date Deposited: | 30 Oct 2025 18:10 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Arts Graphics arts, prints |
| Controlled Keywords: | Maggi, Giovanni, Donati, Alessandro, Rom, Geschichte 1566-1630 |
| Subject (classification): | Artists, Architects Iconography Aesthetics, Art History |
| Countries/Regions: | Italy |
| Paper series: |








