Strauch, Timo
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Abstract
Using the example of a cameo from the Grimani collection from around 1500, the current whereabouts of which are unknown, the article traces the practices of the visual representation of artefacts considered to be antique in prints from the 16th to the 18th century. It analyses when the illustration is the result of a reuse of an existing printing plate and what changes are made to it, or when an older reproduction was copied for a new publication.
| Document type: | Article |
|---|---|
| Date: | 2025 |
| Version: | Secondary publication |
| Date Deposited: | 30 Oct 2025 18:14 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Arts Graphics arts, prints |
| Controlled Keywords: | Kamee, Druckform, Kopie, Geschichte 1500-1800 |
| Subject (classification): | Drawing, Printmaking Aesthetics, Art History |
| Countries/Regions: | Italy |
| Paper series: | Series Volume |
