„Imagines ad aemulationem excitant”. Kunst- und sozialtheoretische Überlegungen zu den Fälschungen Wolfgang Beltracchis im Fokus frühneuzeitlicher Überbietungsdynamiken

Öcal, Tina

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URN: urn:nbn:de:bsz:16-artdok-25941
URL: http://archiv.ub.uni-heidelberg.de/artdok/volltexte/2014/2594
DOI: 10.11588/artdok.00002594

Document type:	Article
Date:	2014
Version:	Primary publication
Date Deposited:	25 Apr 2014 07:44
Faculties / Institutes:	Research Project, Working Group > Individuals
DDC-classification:	Arts Painting
Controlled Keywords:	Beltracchi, Wolfgang, Imitatio, Aemulatio, Kunstfälschung, Reproduktion, Ästhetik
Subject (classification):	Artists, Architects Aesthetics, Art History Painting Conservation, Forgery
Countries/Regions:	Germany, Switzerland, Austria Italy