Zöllner, Frank
In: Zeitschrift für Kunstgeschichte, 52 (1989), pp. 334-352
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Abstract
This is a detailed chronological study of Leonardo's drawings of human proportion and movement and identifies three types/ periods: anthropometric studies (1489-1493), geometric studies (1493-1498), and studies of movement unconstrained by measurement systems (after 1500). I also argue that a substantial part of the drawings in the Codex Huygens (New York, Pierpont Morgan Library) belong to the second type/period, while those in the Codex Urbinas (Rome, Vatican library) belong to the third.
| Document type: | Article |
|---|---|
| Version: | Secondary publication |
| Date Deposited: | 17 Jun 2016 15:16 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Arts |
| Controlled Keywords: | Leonardo <da Vinci> / Trattato della pittura / Handschrift / Rom / Vatikanische Bibliothek / Cod. Urb. lat. 1270, Codex Huygens, Proportion, Bewegung |
| Subject (classification): | Artists, Architects Aesthetics, Art History |
| Countries/Regions: | Italy |
| Paper series: | Series Volume |
Available Versions of this Item
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Die Bedeutung von Codex Huygens und Codex Urbinas für die Proportions- und Bewegungsstudien Leonardos da Vinci. (deposited 11 Aug 2006 12:48)
- Die Bedeutung von Codex Huygens und Codex Urbinas für die Proportions- und Bewegungsstudien Leonardos da Vinci. (deposited 17 Jun 2016 15:16) [Currently Displayed]
