Zöllner, Frank
In: Zeitschrift für Kunstgeschichte, 52 (1989), pp. 334-352
This is the latest version of this item.
Preview |
PDF, German
Download (2MB) | Terms of use |
For citations of this document, please do not use the address displayed in the URL prompt of the browser. Instead, please cite with one of the following:
| Document type: | Article |
|---|---|
| Version: | Secondary publication |
| Date Deposited: | 17 Jun 2016 15:16 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Arts |
| Controlled Keywords: | Leonardo <da Vinci> / Trattato della pittura / Handschrift / Rom / Vatikanische Bibliothek / Cod. Urb. lat. 1270, Codex Huygens, Proportion, Bewegung |
| Subject (classification): | Artists, Architects Aesthetics, Art History |
| Countries/Regions: | Italy |
| Paper series: | Series Volume |
Available Versions of this Item
-
Die Bedeutung von Codex Huygens und Codex Urbinas für die Proportions- und Bewegungsstudien Leonardos da Vinci. (deposited 11 Aug 2006 12:48)
- Die Bedeutung von Codex Huygens und Codex Urbinas für die Proportions- und Bewegungsstudien Leonardos da Vinci. (deposited 17 Jun 2016 15:16) [Currently Displayed]
