Zöllner, Frank
In: Achademia Leonardi Vinci, 4 (1991), pp. 177-190
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Abstract
This article argues that the drawing of the Fight for the Standard after Leonardo da Vinci’s wall painting of the Battle of Anghiari, traditionally attributed to Rubens (Paris, Louvre), was executed in the first half of the 16th c., and that this drawing and two of its early copies, produced before Rubens made the alterations, should be regarded as authentic reproductions after Leonardo's incomplete original version of the central group from the wall painting of the Battle of Anghiari in the Palazzo Vecchio in Florence.
| Document type: | Article |
|---|---|
| Version: | Secondary publication |
| Date Deposited: | 14 Jul 2016 06:56 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Arts |
| Controlled Keywords: | Leonardo <da Vinci> / Anghiari-Schlacht, Der Kampf um die Fahne / Tavola Doria, Rezeption, Rubens, Peter Paul |
| Subject (classification): | Artists, Architects Painting |
| Countries/Regions: | Benelux Italy |
| Paper series: | Series Volume |
Available Versions of this Item
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Rubens Reworks Leonardo: ‘The Fight for the Standard’. (deposited 14 Aug 2006 11:22)
- Rubens Reworks Leonardo: ‘The Fight for the Standard’. (deposited 14 Jul 2016 06:56) [Currently Displayed]
