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“Ogni pittore dipinge sè". Leonardo da Vinci and "automimesis"

Zöllner, Frank

In: Winner, Matthias (Hrsg.): Der Künstler über sich in seinem Werk. Internationales Symposium der Bibliotheca Hertziana. Weinheim, VCH 1992, pp. 137-160

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Abstract

This article discusses the negative connotations of the Tuscan proverb, "Every painter paints himself" in the 15th century and the relationship between automimesis and the habit of Italian painters of repeating particular types in painting. Focusing on the example of Leonardo, it argues that although he can be seen to have used types and was accused by Gaspare Visconti of automimesis in the Last Supper (Milan, S. Maria delle Grazie), he in fact rejected it in his writings and made great efforts to avoid it in his art.

Document type: Book Section
Version: Secondary publication
Date Deposited: 14 Jul 2016 07:07
Faculties / Institutes: Research Project, Working Group > Individuals
DDC-classification: Arts
Controlled Keywords: Leonardo <da Vinci>
Subject (classification): Artists, Architects
Countries/Regions: Italy
Paper series:

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