In: Winner, Matthias (Hrsg.): Der Künstler über sich in seinem Werk. Internationales Symposium der Bibliotheca Hertziana. Weinheim, VCH 1992, pp. 137-160
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Abstract
This article discusses the negative connotations of the Tuscan proverb, "Every painter paints himself" in the 15th century and the relationship between automimesis and the habit of Italian painters of repeating particular types in painting. Focusing on the example of Leonardo, it argues that although he can be seen to have used types and was accused by Gaspare Visconti of automimesis in the Last Supper (Milan, S. Maria delle Grazie), he in fact rejected it in his writings and made great efforts to avoid it in his art.
Document type: | Book Section |
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Version: | Secondary publication |
Date Deposited: | 14 Jul 2016 07:07 |
Faculties / Institutes: | Research Project, Working Group > Individuals |
DDC-classification: | Arts |
Controlled Keywords: | Leonardo <da Vinci> |
Subject (classification): | Artists, Architects |
Countries/Regions: | Italy |
Paper series: | Series Volume |
Available Versions of this Item
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“Ogni pittore dipinge sè". Leonardo da Vinci and "automimesis". (deposited 14 Aug 2006 11:20)
- “Ogni pittore dipinge sè". Leonardo da Vinci and "automimesis". (deposited 14 Jul 2016 07:07) [Currently Displayed]