Zöllner, Frank
In: Huberty, Maren (Hrsg.): Leonardo da Vinci all'Europa. Einem Mythos auf der Spur. Berlin, Weidler 2005, pp. 131-167
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Abstract
This article is about two types of artists, on the one hand Leonardo Vinci, who still struggled to free himself from the conditions defined by his patrons, and on the other hand Michelangelo who largely succeeded being a free artist in a modern sense. One can explain this emancipation, at least in part, with different social backgrounds of both artists.
| Document type: | Book Section |
|---|---|
| Version: | Secondary publication |
| Date Deposited: | 15 Jul 2016 12:59 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Arts |
| Controlled Keywords: | Leonardo <da Vinci>, Michelangelo <Buonarroti> |
| Subject (classification): | Artists, Architects |
| Countries/Regions: | Italy |
| Paper series: | Series Volume |
Available Versions of this Item
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Leonardo und Michelangelo: Vom Auftragskünstler zum Ausdruckskünstler. (deposited 16 Aug 2006 19:28)
- Leonardo und Michelangelo: Vom Auftragskünstler zum Ausdruckskünstler. (deposited 15 Jul 2016 12:59) [Currently Displayed]
