Zöllner, Frank
In: Das Archiv : Magazin für Kommunikationsgeschichte, Nr. 3 (2016), pp. 14-21
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Abstract
This article argues that Warburg's ways of thinking in images are strongly indebted to his life long experience as a passionate collector of postage stamps. Even the "ninfa", one of his obsessions, can be traced back to postage stamps and to the visual culture of stamp collecting.
| Document type: | Article |
|---|---|
| Version: | Secondary publication |
| Date Deposited: | 20 Dec 2024 14:53 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Arts Graphics arts, prints |
| Controlled Keywords: | Warburg, Aby, Philatelie |
| Subject (classification): | Iconography Aesthetics, Art History |
| Countries/Regions: | Germany, Switzerland, Austria France Spain, Portugal South East Europe |
| Paper series: | Series Volume |
| Additional Information: | Heft 3 (2016) hat den Titel "Philatelie als Kulturwissenschaft" |
