In: Lehmann, Claudia ; Gramaccini, Norberto ; Rößler, Johannes ; Dittelbach, Thomas (Hrsgg.): Chiaroscuro als ästhetisches Prinzip : Kunst und Theorie des Helldunkels 1300-1550. Berlin 2018, pp. 91-104
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Abstract
The article deals with Sandro Botticelli's achievements as a painter of grisaille or monochrome paintings and in particular with his "Calumny of Apelles". I suggest that this painting was inspired by a misreading of Petronius's "Satyricon" ("monocmenos" misread as "monochromos" in manuscripts and early printed editions) and that Botticelli saw himself as a new Apelles. He seems to have believed that Apelles became famous as a painter of monochrome painting. His painting "Calumny of Apelles" is inspired by his believe.
| Document type: | Book Section |
|---|---|
| Version: | Secondary publication |
| Date Deposited: | 24 Jan 2025 10:33 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Painting |
| Controlled Keywords: | Botticelli, Sandro / Die Verleumdung, Malerei, Petronius <Arbiter> / Satyrica, Monochromie, Grisaille |
| Subject (classification): | Painting |
| Countries/Regions: | Italy |
| Paper series: | Series Volume |







