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Sandro Botticelli als Apelles und als Grisaillemaler. Petronius' "Monocremos" als Inspiration für die Selbstreferentialität der Malerei?

Zöllner, Frank

In: Lehmann, Claudia ; Gramaccini, Norberto ; Rößler, Johannes ; Dittelbach, Thomas (Hrsgg.): Chiaroscuro als ästhetisches Prinzip : Kunst und Theorie des Helldunkels 1300-1550. Berlin 2018, pp. 91-104

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Abstract

The article deals with Sandro Botticelli's achievements as a painter of grisaille or monochrome paintings and in particular with his "Calumny of Apelles". I suggest that this painting was inspired by a misreading of Petronius's "Satyricon" ("monocmenos" misread as "monochromos" in manuscripts and early printed editions) and that Botticelli saw himself as a new Apelles. He seems to have believed that Apelles became famous as a painter of monochrome painting. His painting "Calumny of Apelles" is inspired by his believe.

Document type: Book Section
Version: Secondary publication
Date Deposited: 24 Jan 2025 10:33
Faculties / Institutes: Research Project, Working Group > Individuals
DDC-classification: Painting
Controlled Keywords: Botticelli, Sandro / Die Verleumdung, Malerei, Petronius <Arbiter> / Satyrica, Monochromie, Grisaille
Subject (classification): Painting
Countries/Regions: Italy
Paper series: