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Vom Bild zum Text und zurück. Leonardo da Vinci und die Episteme des Bildes

Zöllner, Frank

In: Seidl, Ernst ; Dürr, Frank ; La Corte, Michael (Hrsgg.): Ex machina : Leonardo da Vincis Maschinen zwischen Wissenschaft und Kunst. Tübingen 2019, pp. 28-41 (Schriften des Museums der Universität Tübingen MUT ; 18)

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Abstract

This paper asks how Leonardo da Vinci, as a "uomo senza lettere", conducted his research and what systems he used to classify his results or what his attitude was to possible orders of knowledge. The central thesis of this paper is that the system of order most frequently used by Leonardo was that of the completed manuscript page, i.e. that he hardly used any classical systems of knowledge or order systems at all.

Document type: Book Section
Version: Secondary publication
Date Deposited: 29 Jan 2025 09:27
Faculties / Institutes: Research Project, Working Group > Individuals
DDC-classification: Arts
Drawing and decorative arts
Controlled Keywords: Leonardo <da Vinci>, Wissen, Text, Ordnung, Proportion, Anatomie
Subject (classification): Drawing, Printmaking
Others
Countries/Regions: Italy
Paper series: