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Il Salvator Mundi di Leonardo. La tradizione iconografica, le diverse versioni e una domanda: è forse un dipinto "romano"?

Zöllner, Frank

In: Antonelli, Roberto ; Cieri Via, Claudia ; Forcellino, Antonio ; Forcellino, Maria (Hrsgg.): Leonardo a Roma : influenze ed eredità ; catalogo della mostra. Roma 2019, pp. 249-261 (Storia dell'Accademia dei Lincei. Cataloghi ; 6)

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Abstract

The article discusses in all due brevity the known variants of a Salvator design by Leonardo and puts forward the hypothesis that Leonardo's Salvator was created for the circle of Pope Leo X in Rome. Surprising formal parallels between the Salvator and Domenico Aimo's marble statue of Leo X seem to suggest this assumption. In any case, the dressing of Leonardo's Salvator seems to be the key to its understanding.

Document type: Book Section
Version: Secondary publication
Date Deposited: 29 Jan 2025 10:24
Faculties / Institutes: Research Project, Working Group > Individuals
DDC-classification: Painting
Controlled Keywords: Leonardo <da Vinci>, Leo <X., Papst>, Leonardo da <Vinci> / Salvator mundi, Ikonographie, Geschichte
Subject (classification): Iconography
Painting
Countries/Regions: Italy
Paper series: