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Leonardo da Vinci's Salvator Mundi as a touchstone of art-historical methodology

Zöllner, Frank

In: Kunsttexte.de, Nr. 1 (2022),

Online-Ressource, English
https://doi.org/10.48633/ksttx.2022.1.88237
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Abstract

This essay discusses a number of variants of the portraits of Christ and highlights the scope and importance of traditional methods of art history for our understanding of Leonardo da Vinci’s „Salvator Mundi“ and that these methods have not yet been fully applied.

Document type: Article
Version: Secondary publication
Date Deposited: 10 Mar 2025 16:53
Faculties / Institutes: Research Project, Working Group > Individuals
DDC-classification: Painting
Controlled Keywords: Leonardo da Vinci / Salvator mundi, Christusdarstellung, Rezeption, Kopie, Kunstgeschichte <Fach>
Subject (classification): Painting
Countries/Regions: Benelux
Germany, Switzerland, Austria
Italy
Paper series: