Zöllner, Frank
In: Dudzik, Sebastian (Hrsg.): Rafael i jego spadkobiercy. Portret klasyczny w sztuce nowożytnej Europy [Materiały sesji naukowej, 24 - 25 X 2002] (Sztuka i kultura, Bd. 4). Torun 2003, pp. 157-183
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Abstract
This article deals in detail with Leonardo as a portrait painter. Using the example of his portraits of Ginevra de' Benci, Cecilia Gallerani, La Belle Ferronière and the Mona Lisa, the article explains to what extent and in which manner Leonardo was truly innovative. This analysis is based both on the formal qualities of the four portraits and on their respective contexts.
| Document type: | Book Section |
|---|---|
| Version: | Secondary publication |
| Date Deposited: | 15 Jul 2016 10:52 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Painting |
| Controlled Keywords: | Leonardo <da Vinci>, Bildnismalerei, Leonardo <da Vinci> / Ginevra de' Benci, Leonardo <da Vinci> / Dame mit Hermelin, Leonardo <da Vinci> / Belle Ferronière, Leonardo <da Vinci> / Mona Lisa |
| Subject (classification): | Painting |
| Countries/Regions: | Italy |
| Paper series: | Series Volume |
Available Versions of this Item
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Leonardo da Vinci's Portraits: Ginevra de' Benci, Cecilia Gallerani, La Belle Ferronière, and Mona Lisa. (deposited 15 Aug 2006 14:41)
- Leonardo da Vinci's Portraits: Ginevra de' Benci, Cecilia Gallerani, La Belle Ferronière, and Mona Lisa. (deposited 15 Jul 2016 10:52) [Currently Displayed]
