Zöllner, Frank
In: Korte, Barbara ; Paletschek, Sylvia (Hrsgg.): Geschichte im Krimi : Beiträge aus den Kulturwissenschaften. Köln 2009, pp. 43-58
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Abstract
This article argues that there are some significant methodological parallels between the hermeneutic strategies in Dan Brown's ‘Sacrilege’ (The da Vinci Code) on the one hand and Aby Warburg's iconology and Giovanni Morelli's stylistic criticism on the other.
| Document type: | Book Section |
|---|---|
| Version: | Secondary publication |
| Date Deposited: | 20 Oct 2016 16:17 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Arts Painting |
| Controlled Keywords: | Brown, Dan / The Da Vinci code |
| Subject (classification): | Artists, Architects Iconography Painting |
| Countries/Regions: | Germany, Switzerland, Austria Italy |
| Paper series: | Series Volume |
