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"Ballast, worthless, expendable": how Breslau's Schlesisches Museum der Bildenden Künste disposed of a painting by Max Liebermann in 1942 and how deaccessions of modern art played a role at German museums during the Nazi period

Zuschlag, Christoph

In: Hoffmann, Meike ; Hüneke, Andreas (Hrsgg.): "Entartete Kunst" in Breslau, Stettin und Königsberg = "Degenerate art" in Breslau, Stettin and Königsberg. Leiden 2021, pp. 83-94 (Schriften der Berliner Forschungsstelle "Entartete Kunst")

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Download (7MB) | Lizenz: Creative Commons Lizenzvertrag"Ballast, worthless, expendable": how Breslau's Schlesisches Museum der Bildenden Künste disposed of a painting by Max Liebermann in 1942 and how deaccessions of modern art played a role at German museums during the Nazi period by Zuschlag, Christoph underlies the terms of Creative Commons Attribution - ShareAlike 4.0
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Document type: Book Section
Version: Secondary publication
Date Deposited: 26 Nov 2024 10:13
Faculties / Institutes: Research Project, Working Group > Individuals
DDC-classification: Arts
Painting
Controlled Keywords: Liebermann, Max / Bildnis des Dichters Gerhart Hauptmann, Schlesisches Museum der Bildenden Künste <Breslau>, Sammlung, Aussonderung, Nationalsozialismus
Subject (classification): Painting
Countries/Regions: Germany, Switzerland, Austria
East Europe
Paper series:
Series
Volume
Works by Christoph Zuschlag
150
Additional Information: Zugang zum Beitrag in deutscher Sprache siehe Link "Verwandte URLs".